Guest Artist: Kamron Coleman. Kamron is thousands of hours into working on a hand-written and hand-painted Scroll well over one hundred feet in length which illuminates the symbolism of John. The Scroll proposes that Christian Atonement temple theology has its roots, not only in Israel, but in Egypt, India, and Babylon, and is undergoing restoration by covenant people even today.
“The Anointing” Oil on canvas 36w x 60h by Kamron Coleman. The painting depicts the Anointing of Christ by Mary of Bethany prior to his crucifixion.
“The Second Anointing” Oil on canvas 48w x 60h by Kamron Coleman. The painting depicts the Anointing of Christ by Mary Magdalene prior to his resurrection.
“The Comforter” Oil on canvas 36w x 60h by Kamron Coleman. The painting depicts the Queen of Heaven, or Heavelny Mother, comforting her Son in the Garden of Gethsemane under her standard, the almond tree.
“The Ascension” Oil on canvas 48w x 60h by Kamron Coleman. The painting depicts the seven seals of St John the Apostle, and Christ’s Apotheosis through the ministrations of holy beings from the Heavenly Council.
An essay published in Square Two, called “Terrestrail Lost and Found” elaborates on the themes of these paintings.
The artist’s website is www.kamroncoleman.com
This post is part of a series, Contemplating Heavenly Mother. Find more from this series here.
12 Responses
These are INCREDIBLE! Thank you for sharing!
Thank you very much, Katie.
Oh. My. GOSH! These are amazing.
Heather, that is so kind of you. Thank you.
So very lovely. Thank you.
Thank you, Bryn.
These are stunning!
I’m grateful for your kind words, Caroline.
Gorgeous!
Thank you, Janell.
Oooh that last one…I had to come back and see it on a bigger screen. Zooming in on my phone was just not enough. Wish I could see it in person.
Thank you, Kaylee. I think that the highest resolution photo is on my store https://kamroncolemanart.store/product/the-ascension-editions-of-100/ where one can zoom in on every detail without pixelation.
I really appreciate your comment. It is owned privately and so I doubt a lot of people will ever see it in person. It was my entry into the international exhibit at the Church History Museum but it was not accepted into the show.
Warmest regards.