Untitled-design-5
Picture of Lavender
Lavender
Natasha (Lavender) is an adult literacy instructor at Project Read Utah and a library clerk. Her undergrad is in literary studies and she continues to analyze, memorize, and devour literature. She has a few short stories and essays published in various small press anthologies. And she particularly enjoys practicing her writing and editing skills at Exponent II where women's voices are celebrated and disparate perspectives embraced.

Laughter of the Dirty Goddesses

“Women laugh together only in freedom, in the recognition of independence and female bonding.”

Carolyn G. Heilbrun

My life is transforming again. I am once again trying to make space for myself while realizing my incredible and unconscious diligence as a meek, small, and submissive woman. The sickening realization that I have more layers to peel off in this human development of mine is made worse as I examine each layer of patriarchal messaging I have built myself with. I thought I was done with this. But here I am again. However, this time I will try something new. 

This time I will break free from patriarchy with laughter – the unruly joy that is so antithetical to the rigid, appeasing woman I thought I should be. Sue Monk Kidd laments that “religion is the last patriarchal stronghold” and I believed this when I read it years ago, but now I see it in myself. I see the stronghold patriarchy has on my female life as a wife and a mother. Past attempts to break free have been marked by serious conversations, sobbing, and lots and lots of reading – but this time, this time will be marked with laughter.

Not empty laughter, but the true, full-body, free laughter that Clarissa Pinkola Estés, in her book Women Who Run With the Wolves, describes as “unrestrained, not caring about showing your tonsils, letting your belly hang out, letting your breasts shake” kind of laughter. The type of laughter that defies the patriarchy and is inspired by inappropriate behavior – the laughter of what Estés calls “the dirty Goddesses” – the loud laughter that does not care what a body looks like, only what it feels like.

Ad

At an Exponent II Retreat, my friends and I performed a skit we created from the 1960s book Fascinating Womanhood. The skit was a comedy based on the book’s appalling content (for example: “To be charming” is one of three reasons a wife shows “child-like sauciness” to her husband. It’s a real book. Ask your grandma.) Preparing the skit was a riot: four grown women rolled with laughter, adding commentary until we were lost in a breathtaking, toppling display of wild laughter. 

But I was horrified, too, realizing that I am a 1960s “fascinating” woman. Estés proclaims that laughter “is sacred because it is so healing.” I needed that sacred laughter with those women about that subject because facing my smallness is painful. Part of my healing, part of my liberation, happened in that cabin with other women as we whooped and hollered and peed a little with laughter.

In the book Writing a Woman’s Life, Carolyn G. Heilbrun declares, “In the end, the changed life for women will be marked, I feel certain, by laughter.” I want this type of change; the change that is marked, not by weeping or fasting or prayer, but by laughter. It feels rebellious and true and delightfully womanly.

My body is breaking free from the layers of submissive beauty and I want to laugh with abandon. I want to sacred laugh like I did with my friends at Retreat. This laugh is a marker of a woman’s changed life from conformity to freedom. Because, “when the laughter makes people glad they are alive, happy to be here, more conscious of love, heightened with eros, when it lifts their sadness and severs them from anger, that is sacred.”

Laughter of the Dirty Goddesses dirty goddesses

Photo by Ainara Oto on Unsplash

Advertisement
Natasha (Lavender) is an adult literacy instructor at Project Read Utah and a library clerk. Her undergrad is in literary studies and she continues to analyze, memorize, and devour literature. She has a few short stories and essays published in various small press anthologies. And she particularly enjoys practicing her writing and editing skills at Exponent II where women's voices are celebrated and disparate perspectives embraced.

7 Responses

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Our Comment Policy

  • No ads or plugs.
  • No four-letter words that wouldn’t be allowed on television.
  • No mudslinging: Stating disagreement is fine — even strong disagreement, but no personal attacks or name calling. No personal insults.
  • Try to stick with your personal experiences, ideas, and interpretations. This is not the place to question another’s personal righteousness, to call people to repentance, or to disrespectfully refute people’s personal religious beliefs.
  • No sockpuppetry. You may not post a variety of comments under different monikers.

Note: Comments that include hyperlinks will be held in the moderation queue for approval (to filter out obvious spam). Comments with email addresses may also be held in the moderation queue.

Write for Us

We want to hear your perspective! Write for Exponent II Blog by submitting a post here.

Support Mormon Feminism

Our blog content is always free, but our hosting fees are not. Please support us.

related Blog posts

Never miss A blog post

Sign up and be the first to be alerted when new blog posts go live!

Loading

* We will never sell your email address, and you can unsubscribe at any time (not that you’ll want to).​